IT: Chapter Two




 IT: Chapter  Two 


In 2017, IT would come out of nowhere, shattering all expectations and several box office records. Not only was it one of the highest grossing films of the year, but currently still holds the spot of highest grossing horror film of all time, and the biggest opening September release of all time. With a budget of only $30 million, IT went on to gross well over $700 million, winning a legion of fans; those who loved the book and respected the original TV movie, and a whole new generation of audiences who probably hadn’t read the book or ever would because let’s face it… who reads these days? 😉
 
When the end credits of IT appeared on screen, with the words “Chapter One” fading onto the screen, audiences were intrigued. Would we get more? It was only a matter of days after the films premier that a sequel was announced to be released in early September 2019. And so we waited for two years, with very little to see online about the production. As the adult cast were announced, there were a few raised eyebrows to say the least. Some of the cast included the ideal actors chosen by the child cast to play the grown-up versions of themselves. In a surprise move, an actor called Isaiah Mustafa was cast in the pivotal role of Mike Hanlon. And this actors most well-known screen credit? The Old Spice Commercial. Yes, that guy. I’m sure the director had his reasons, but we would have to wait till 2019 to see if his choices paid off. 

When the first teaser trailer for the film appeared online, showing the fully assembled adult cast on screen – converging with images of the younger cast from the first film – the internet went gaga again. The casting choices were simply genius, and it seemed for the most part the adult Losers really were the adult versions of the younger actors, resembling them in looks and mannerisms. And given IT is really more a story about the characters and not the clown, the casting had to be spot on.
IT: Chapter Two was destined to be a hit long before it’s release, but it was going to face a few challenges. Firstly, it had to be equally as good or better than the first film. And as Chapter One was such a surprise in many ways, it would certainly be a hard act to follow. No one doubted Bill Skarsgard would once again scare the crap out of everyone with his portrayal of Pennywise the Dancing Clown, but how would the adult cast cut it? 

Secondly, the focus of the story in the second film would be on the adults. Historically, this hasn’t been the most popular aspect of the story, whether that be the original novel and certainly the 1990 mini-series. That 3-hour television event was split into two parts, with the second focusing primarily on the adult cast. It wasn’t received as well as the first part, which focused on the kids. Would that be the case again this time around? 

Thirdly, and this is more for me, is that I would be going into IT: Chapter Two knowing everything about it. I’ve read the novel four times – it’s my favourite Stephen King book, and my favourite novel of all time. And at over 1100 pages, it is dense and rich in detail. There is a lot of backstory about Pennywise’s appearances at pivotal points in the history of Derry, Maine even long before he encountered the Losers Club in the 1950’s. As much as I would love to see that realised on the big screen, I had a hunch it would be left out. What I was more concerned about was how the filmmakers would handle the bizarre and confusing ending of the book, now known to viewers of the new movie as The Ritual of Chud. 

It’s believed that Stephen King was writing at the peak of his alcohol and drug use when he penned IT in the early to mid-1980’s. Many of his stories go off into deep, dark and disturbing places, and we can only assume he understands what he’s writing about more than anyone else. He lived the experience of writing the book after all. And having read this and been both galvanised and confused by the ritual segment of the story, I was hopeful but also sceptical about how this would translate to screen. And if I had more of your time in this review, I could go into a whole analysis of just that part of the book alone, but as I’m talking about the movie adaptation of IT, let’s get back to the main focus. 

What can you expect from IT: Chapter Two? More of the same, with a few new touches. It realises it caught lightning in a bottle with the first film and brings the young cast back for a series of flashback scenes. What’s controversial about this directing choice is that at the time of filming, several of the young cast had grown and matured, so some clumsy CGI de-ageing was used on two of the cast which didn’t quite work. None the less, it was good to see the original Losers back on screen, for some additional scenes which were included in the book but not the 2017 movie. 

Bill Skarsgard as Pennywise, nails it once again, and has come to understand the monster he’s created very well. In his handful of screens in the clown guise, the holds the screen and commands your attention. He has developed his tactics of taunting, terrorising and tearing that are shown on screen with no holding back. Be warned, two young children are shown brutally killed on screen, and are lured into their traps in very macabre and sadistic ways, with plenty of blood on screen. 

As in the book, Pennywise can turn into any kind of monster he wants, and several more demonic apparitions are portrayed on screen. A couple you will recognise from the first film, and a few new additions to scare the adult versions of the losers. The first teaser trailer which was really just a clip in itself from the film, features about halfway through the film. It’s the moment where the adult Beverly revisits her childhood home and is welcomed in by a lonely old woman who now occupies the apartment. You see the scene where she tiptoes behind Beverly in the nude and speaks to her out from the darkness of the kitchen. In the trailer you hear heavy footsteps, and see her bare legs run towards a shocked Beverly. The film reveals the old lady in her full form, and it’s both scary and mesmerising. It’s the perfect examples of the length’s IT will go to in order to trick and taunt his prey, and not just by appearing as their fear, but also manipulating the environments around him. 

Let’s talk about the adult cast a bit more. With seven characters to get through, all with their own arcs, fears and twenty-seven years of backstory to portray, the film is long in the tooth as you may know. But as a fan of the book, I didn’t mind the nearly three-hour running time and knew it was necessary to fit in the components of the story they wanted and needed to. And each of the cast gets plenty of screen time (except for one who departs early on and you will know who that is if you’ve read the book). The casting is top-notch, and not just for the physical resemblance each of the adult actors inhibits to portray their younger counterparts, but also the performances. 

James McAvoy is as reliable as ever, given he can play the Everyman and also inhibit the personal struggles of a tormented soul (see his work in “Split” and “Glass” for that). Jessica Chastain who was always the first choice to play the adult Beverly is a strong, dependable actor and carries forth the torch lit by Sophia Lillis as the young Beverly. The rest of the adult cast are fine, but as you’ve probably heard the real standout here is Bill Hader as the all-grown-up Richie Tozier. Also played brilliantly by Finn Wolfhard in Chapter One, Hader continues the character of the comedic, immature, inappropriate but light-hearted member of the Losers Club. To most audiences today, Bill Hader is the guy who pops up in the movies of Seth Rogen and Jason Segel from time to time. Before that, he had a stint on Saturday Night Live. I was aware he had done a few dramatic roles, but he was known to most audiences as a comedian, so for that purpose was the perfect choice for the adult Richie. 

But given the complexity of the story and the journey of the character, some serious acting chops were also required to explore the journey of Richie as he steps down from his funny guy routine to face his fears once again. And it’s in these more tender and serious moments were Hader really shines. He carries himself through the film with a natural effortlessness and a fresh perspective  on the character which was a great fit for the film. He was the comic relief, as was Wolfhard in the first film, but when shit got real he pulled his own weight and stood up as tall as McAvoy and Chastain, who carried most of the dramatic power in the film. 

Even though Chapter Two is the direct follow up to 2017’s Chapter One, this year’s film is not a sequel. Of course, it will be regarded as one and for those not familiar with the book, will regard this purely as a sequel. And seen in that way, IT: Chapter Two may disappoint the average moviegoer who demands their sequels to be bigger, better and badder than the first. Thanks Marvel for setting the bar so high. But realise, Chapter One and Chapter Two are part of one story. Given the length and depth of the book, they could have split the production into three movies, and on that note there have been some rumours online that director Andy Muschietti has considered filming a prequel showing the origins of IT, and IT’s appearances every twenty-seven years over the history of its presence in Derry, Maine. This has neither been confirmed nor denied by the director, and personally I don’t think it’s necessary. 

Given the filmmaking talent behind these two films are smart, they will quit while they’re ahead and leave it with the two individual films. But in honour of the book, the director has pretty much confirmed he wants to pull the scenes from the two films together, rearrange them and tell the complete uncut version of IT, that follows the sequence of events as written in the book. I would love to see that, and even it if it clocked in at five hours running time, it would be the ultimate and most satisfying way to experience the story. 

But nor now, viewers can consider that IT: Chapter Two is the concluding instalment of the movie adaptations of this incredible novel. It has come full circle, and in the opinion of this movie-lover and lover of the book, they did a bloody good job. Turning such a novel into a film was always going to be a challenging task, and one to be handled with responsibility and love. It’s safe to say the filmmakers have done that, from the first film to the second, and even got the tick of approval from the author Mr. King himself before each film was released. Speaking of which, it was nice to see him cameo in the second film, basically playing himself. He must be smiling with his feet kicked up and his head held high at the success of the films. For any writer or creative artist, it must be very affirming to see your work respected and given the treatment it deserves. 

Even if King was under the influence of narcotics at the time of writing his opus, he has presented a story which has lasted nearly forty years in its popularity and social relevance. The film will also hold its own place in pop culture as one of the great stories of our time. Put aside the fact that at its core, IT is a story of a monster appearing as a clown to eat children and remember the journey of The Losers Club; seven kids, mistreated, misunderstood and missing something in their lives, who were all brought together by their loneliness. In uniting, they become strong, brave and daring, standing up to the bullies, the ignorant parents, and the fears manifesting in front of them. 

And it’s a story that carries its heart on its sleeve. As the book ends with the narration of Bill Denbrough recalling his youth and the friendships he made, IT: Chapter Two concludes with a beautiful narration from one of the Losers who talks about life, youth and the journey to becoming an adult. Considering their respective journey was tainted by the trauma of a terrorising clown, it was also touched by the milestones of love, friendship, success and discovering your place in the world. And those themes are captured so beautifully in this film, especially in it’s closing moments, that you can’t ignore the power and influence of IT to truly be one of the only scary stories with a heart. Finding the balance between pure fear and pure love in equal measure and winning us all over in the process.  And that’s an incredible achievement in storytelling. 

 

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